PHILADELPHIA INQUIRER

Thursday, November 6, 1997

Page: A35

Edition: SF

Section: EDITORIAL

Graphics: CARTOON


BASIC ROCK MATH: A RATIO, A SQUARE, A BIT OF MULTIPLICATION.
AS I SAID, THE STONES ARE THE BEST

By Crispin Sartwell

On this page a few weeks ago, I asserted that I could prove with mathematical precision that the Rolling Stones were better than the Beatles. This has provoked an overwhelming and gratifying response from you, the readers of this fine newspaper. To the reader who writes to tell me that I ``deserve to suffer and die,'' I can only say: Thanks for your input. And to those of you who call me a ``numskull,'' a ``fool,'' an ``idiot,'' or things unprintable in a publication with the high moral tone of The Inquirer, I respond: That's true. I am a fool and an idiot and a numskull.

Nevertheless, I'm right, and you're wrong. Why? Simply because I have the numbers. Fellow idiots, you cannot argue with numbers. To whom do we turn when we need answers? Experts. Pollsters. Social scientists. Marketing consultants. People with numbers. These numbers, obviously, have nothing to do with the values or the opinions of the experts in question. Why? Because they're numbers. Views supported by statistics are no one's views in particular.

Whatever you do, never listen to your own experience or to your gut sense of what is true. Listen only to numbers. For God's sake, don't make any professional decisions without hiring consultants to do the demographics and focus groups. When you are trying to figure out what TV show to watch, ask the researchers who spend their lives counting acts of violence. When you are deciding which candidate to support, abase yourself before the experts who calculate the percentage of negative campaign ads or the voting preferences of soccer moms.

Like me, these consultants, researchers and experts are fools. But they've got the numbers, and so we must defer to their expertise, just as you must defer to mine.

Like all the most important things, goodness, beauty, love and rock and roll can be reduced to numbers, and should be, as quickly as possible. To that acute reader who wrote that I might ``just as well try to quantify flowers as rock music,'' I say: Exactly, and I am working on the formulas. Sir Isaac Newton reduced the diverse phenomena of the universe to a few simple mathematical laws. I have done the same with popular music. My achievement is at least as important as Newton's. And it is even more impressive, because Newton was a genius, and I am a numskull.

Just to remind you, or to provoke you again to violence, Sartwell's First Law: The quality of a rock band is inversely proportional to its pretentiousness. Corollary to Sartwell's First Law: The pretentiousness of a rock band can be expressed as a ratio of its artistic ambition to its artistic accomplishment. Sartwell's Second Law: The quality of a rock song varies inversely as the square of its distance from the blues.

After decades of exhaustive research, funded exclusively by generous grants from the office of Jesse Helms, I am now prepared to collapse these laws into a single number: the Rock Quality Index or RQI. Let us compare the Rolling Stones to Elton John, who recently called Keith Richards an ``arthritic monkey.'' The Stones' pretentiousness ratio is 1:8. That is, on a scale of 1-10, their artistic ambition is a 1 and their artistic accomplishment is an 8. (On ``Gunface,'' from the recent Bridges to Babylon, Richards strips the basic Stones riff down to a single incredibly alive chord repeated three times. That is perfection.) Convert this to a fraction (1/8). Convert that fraction into a decimal (0.125): That is the pretentiousness quotient. Now calculate the distance from the blues in light years (for the Stones, 0.1). Square this distance: 0.01. That is the blues quotient. Now multiply the pretentiousness quotient by the blues quotient (0.00125). That is the RQI. The lower the RQI, the better the music. And 0.00125, you must agree unless you are utterly irrational, is a very low number.

Elton John is too vapid to be very pretentious, and that is good. Sadly, though, he occasionally tries to be profound and touching, as in ``Candle in the Wind '97.'' His pretentiousness ratio, therefore, is 2:1. Pretentiousness quotient: 2. With regard to the blues, Elton is, in the words of the Rolling Stones, 2,000 light years from home. Square that and you get 4,000,000. Elton's RQI, thus, is 8,000,000. Elton John is precisely 6,400,000,000 times worse than the Stones.

When I listen to Billy Joel's song ``Piano Man,'' I have the sensation that human life is a meaningless morsel in the all-devouring maw of fate. Now I can prove, believe me, that mine is the only rational response to that song. The worst song in the history of rock music, however, is ``Spirits in a Material World'' by the Police, the RQI of which can be expressed only by using the mathematical concept of nondenumerable infinities. Don't get me started on Oasis.

Several readers ask me how I assign numbers to such things as artistic accomplishment. They suspect that this whole process is just an absurdly elaborate justification for things that I already believe for no scientific reason at all. Like Carl Sagan and the other noble enemies of irrationality, I despair of people like these readers because they do not realize that scientific proof of the sort I've just provided is the only decent reason to listen to anyone, including rock and roll bands.

Professor Crispin Sartwell, who teaches philosophy at Penn State Harrisburg, has more degrees than you do.


Copyright 1997 PHILADELPHIA NEWSPAPERS INC.
May not be reprinted without permission.